Truth Pushes Up Daisey

MAYBE the Silly won't have to correct the record and apologise for lionising a fashionable fraud. Theatrical intellect Alison Croggon examines the Mike Daisey campaign of lies against Apple, the one young Asher Moses was so keen to parrot, and explains that the issue is not about making stuff up, it's about "the illegality of imagination in contemporary culture."

There’s no doubt that the facts he’s retailing are pretty much true, whether or not he personally witnessed them, as anyone who reads the accounts of Foxconn elsewhere would know; but putting his work in the context of TAL* would only make the distinction between the ethics of journalism and theatre more confused. There’s a larger question underneath there, about the illegality of imagination in contemporary culture, and the passive acceptance of various kinds of authority, that I find disturbing.

Ah, that explains everything: A lie is not a lie if you approve of the person telling it.

Trouble is, even if you accept Croggon's fuzzy point about theatre having some sort of dispensation to pad narratives with fabulism, Daisey was reciting those same lines and lies offstage -- where young Asher was lapping them up, taking them down, and spreading them around in his capacity as the Silly's technology editor.


Clearly, what young Asher must do is get Croggon in his noggin' and stand by the Silly's fake-but-accurate coverage of all the people Apple has driven to suicide and the child workers it has murdered. To argue otherwise might be construed as supporting "the illegality of imagination" and a newspaper reporter -- a Silly reporter, at any rate -- would never want to be caught doing that.

The Silly's Poisoned Fruit

WITHOUT A DOUBT, the most useful object in the Professor's pocket is an iPhone, which is not only a beautiful and seductively tactile device but perhaps the greatest boon technology has yet granted. Allowing that Vodafone is cooperating (a dubious proposition), there must be barely a spot on the planet within spitting distance of a paved road where this astonishing and elegant device cannot bring the entire world within easy reach. Stock prices, driving instructions, music, emails and revenue-camera warnings, the iPhone delivers all those things and many others with superb efficiency.

It was distressing therefore to be told some months ago by the Silly's technology guru, reporter Asher Moses, that the Professor's great delight was borne of Apple's indifference to the plight of the Chinese workers, including children, who assembled it in a Dickensian sweatshop. Apple has always denied this charge, but to little effect. Here is how Asher began his expose of the late Steve Jobs' exploitation of his subcontractor's workers:

... Mike Daisey has a message for Australian Apple fans: open your eyes.

For the past 15 months or so Daisey been touring the world stunning audiences with his two-hour tale of the appalling conditions and underage labour that goes into making our iPhones, iPods and iPads. The show, the Agony and the Ecstasy of Steve Jobs has been running since Saturday at the Sydney Opera House and is due to conclude on Sunday.

Nor was young Asher alone in sticking it to Jobs and Apple. Silly reviewer Jason Blake attended one of those Opera House performances and dutifully repeated all the charges Daisey dispensed from the stage. Here is a sample:

His description of his visit to the vast and secretive Foxconn factory (which hit the headlines last year after a spate of worker suicides) dovetails unnervingly with his treatise on the technological sealing of Apple's products. We've made a two-part deal with the devil, it seems; one that binds us to (and in no small way supports) a despotic regime, while cleaving us ever closer to corporations promising creative freedom and endless play, but only on their terms.

As Blake notes, audience members were so moved some spoke of wanting to fling their iPhones off the promenade at Circular Quay.

Let us hope they restrained themselves because it turns out the lionised Daisey is a liar, a fraud and a slandering scoundrel, as an investigation of his claims by America's National public Radio has established beyond doubt.

It did not take much work to uncover Daisey's deceptions. Moreover, as NPR's investigation mentions in passing, China-based journalists were dubious about his "reporting" from the very start. Shouldn't an Australian technology reporter have been similarly wary? Shouldn't Asher have cast at least a semi-sceptical eye over Daisey's more outlandish assertions?

A good newspaper would wish to publish an apology for its gullibility in printing such nonsense which, it must be said, meshed very nicely with the Silly's institutional inclination to believe big companies are evil by definition.

A good newspaper would do that, but it is the Silly we are talking about, so open the book on that proposition as no better than an even-money bet.

UPDATE: It seems young Moses invests his faith in all sorts of scams and charlatans. Such is his credulity he probably believes he is employed by a reputable newspaper. Oh, and by the way, when you click above, do make a point to visit all the other links. There is a fascinating study of how the Silly publishes nonsense and, when caught out, makes the ofending story vanish.