Friday, February 3, 2012

Grech Should Have Been So Lucky

ONE of the criticisms often directed at conservatives is that we prefer to live in the past -- and that is absolutely correct. If only the clock could be turned back, how nice it would be to re-visit the latter half of June, 2009, when Godwin Grech was holed-up in his Canberra home while an infestation of press people ruined the nature strip. They were there for weeks, recording in minute detail what neighbours thought of the Utegate mystery man, the parcels he received and any other scraps of trivia that came to hand.

Today, after just these few short years, look how standards have slipped. A Gillard staffer, Tony Hodges, begins a chain of events leading to a race riot, is fired and promptly vanishes. So, too, the white rabbit of Humpytown, Kim Sattler.  POOF!...and she is gone without a trace. There seems no curiosity to find either of them, which could not be that difficult, or to press for the answers that the disgrace on Australia Day at the The Lobby demands.

There is only one difference between then and now. When Grech’s hijinx came unstuck it was a Liberal leader, Malcolm Turnbull, who appeared gullible, crooked or both. Now that it is the Labor Prime Minister who must explain herself, there is not the slightest effort on the part of the press to find either of the two people most relevant to the matter. The inconsistency would be shocking if not so predictable.

Thursday, February 2, 2012

At Long Last, A Real Enemy

LONG before they put video screens or even cassette decks in cars there were games like Spotto to keep the little ones occupied. Does anyone remember it? Little cards printed with trucks, cows, trees, clouds and what have you, all to be observed through the window and crossed off the list? Variations on the game, prompted by parental suggestions, soon took root, so that a long trip might see quests to name a dog breed for every letter of the alphabet, or composers, major cities and, inevitably, VFL footballers.

One challenge the nippers never faced was compiling an A-Z of Australian intellectuals, and just as well. If the grown-ups in the front seat had heard Clive Hamilton offered as a suggestion for “H”  – not that the like of him existed back then, mind you --  blinding laughter might have seen the car run off the road. Adults were different in those days. Seeing off the Depression and a couple of serious wars must have done something to their sense of perspective, and a poor, ranting fellow forever beside himself about imperceptible shifts in temperature and weather would have been an object of indulgent ridicule. Silly Clive, he does no harm down there on the Yarra Bank.

Ah, but the Spotto kids grew up, as all do, to find themselves the luckiest ever born. No foreign threats, no susso or rabbit for tea.  TVs and bountiful times, inoculations and a good certainty of hitting at least the three score and ten -- for the child of the Fifties’ those were birthrights.

And their kids, the ones now two+ generations removed from first-hand knowledge of just how genuinely nasty the world can be, what of them? Every action demands an equal and opposite reaction, and the business of growing up is no different. There needs to be something to push against, and if the enemy’s vileness owes much to the imagination so much the better. Bogeymen won’t actually cut your throat or blow you up, so it is just fine to take issue with Tony Abbott’s Catholicism, never the goings on at the el Ratbaggi mosque. Bristling and snarling  is part of every young pup’s training. Israel, Big Carbon, Maccas, even the bloody thermometer – that was some tempting smorgasbord of wickedness, all items fit for rants and raves, and each just right for bleeding off some of that adolescent bile. Down on the Yarra Bank, Clive and many like him heard the racket, caught whiff of think-tank sinecures and comfy campus gigs, and rose to the moment.

And those angry kids? The ones least familiar with soap are still out there, camped in the City Square or jeering at Jews outside Max Brenner’s chocolate shops. The smarter ones, they scrubbed up nice and moved with their imaginary enemies into glass offices with plenty of bicycle racks out the front.

Yesterday some such specimen at Fairfax had the opportunity to publish something interesting, perhaps even a little provocative, about Gina Rinehart, free speech and the Fairfax raid. Such an article might even have touched on the company’s narrow and ever-narrowing demographic, how that shrinking audience might have a big something to do with the moribund stock and shrunken prospects.

They might have done that. Instead it was the Jeremiah from the Yarra Bank who was hauled into the spotlight with instructions, as usual, to froth on command. There would be no adult laughter this time, not as once for a bit of Spotto silliness. Outrage and furious applause on one side and silence on the other. The explanation for that is simple. The last adult abandoned Fairfax long ago, leaving only a choir to heed the incessant preaching.

With the exception of Rinehart, there is no longer anything about Fairfax to command a grown-up’s respect. What interests her, however, is not likely to please the editor whose first instinct was to tap Hamilton for that opinion column. This is a genuinely odd development, and sad in its way, because the businesswoman’s likely arrival on the Fairfax board fulfils every luvvies’ lifelong dream.

Finally, at long last, they have a genuine, bona fide enemy to contend with.And perhaps, if the innocents' screams are loud enough, some adults might come back to see what is going on.

A Quality Journalist Explains It All

BLOGGER Dragonista puts a question via Twitter to the Silly's Ben Cubby, who is none too keen on working for Gina Rinehart (links added at the Billabong):

Ben Cubby
 Unfair comparison. Australia's most respected newspapers v a promising but brand-new website. Apples and oranges.
19 minutes ago via webFavorite Retweet Reply  Australia's "most respected newspapers"? Good heavens!

A Very Active Member

FOLLOWERS of current events might have been surprised the other day to hear an announcement by Speaker Peter Slipper, who was widely quoted as asserting he had been found by the Department of Finance to be innocent of rorting. “Peter Slipper Cleared Over Expenses” was a typical headline, particularly in the Fairfax press, where editors appear not to have paid too much attention to the AAP report’s first paragraph, which attributes the purported exoneration to no greater authority than Slipper’s say-so. Now that a little time has passed, curiosity is re-asserting itself, at least in some quarters.

Slipper’s local rag, the Sunshine Coast Daily, is demanding the full text of the department’s probe, not just bare ledgers listing six months’ worth of taxi trips, where they began and how much taxpayer’s were billed for getting Team Gillard’s latest recruit from A to B. An index of the department’s Slipper-related inquiries can be found here. Of those records, one is especially fascinating.

Here, for example, is a little sequence of to-ing and fro-ing over the course of a couple of days in September, 2009. Remember, Slipper represents an electorate quite a bit to the north of Kings Cross, a simple fact that makes it rather hard to conceive just what business he might have been pursuing on behalf of his constituents, especially at midnight, in that notorious precinct.

21-Sep-09         Suburbs Uni Of NSW        22:31        $13.22
21-Sep-09         Suburbs Kings Cross         23:02        $14.73
22-Sep-09         Office  Taylor Square       00:38         $6.86
22-Sep-09         Office  Kings Cross            07:24        $11.52
22-Sep-09         Office  Brickfield Hl           18:52       $7.27
22-Sep-09         Suburbs Taylor Square    20:03         $11.10
22-Sep-09         City Kings Cross                 21:12       $7.97
23-Sep-09         City Kings Cross                 06:15       $7.77

In another of the travel manifests, this one listing Cabcharge manual dockets (as opposed to the computerised ones above) for the same few days, there are indications Slipper has been gifted with the remarkable ability to be in two places at once:

21-Sep-09         Buderim Airport    $290.00
21-Sep-09         Airport     Suburbs $115.00
22-Sep-09         Suburbs   Suburbs $125.00
22-Sep-09         Suburbs   Suburbs $135.00
23-Sep-09         Suburbs   Airport   $90.00
23-Sep-09         Airport       City      $85.00
23-Sep-09         Brisbane Buderim $295.00

There may be an innocent explanation for all this, as the listing of Queensland cabs includes no references to the times those trips began and concluded. So it is possible that Slipper’s interests really did see him shuttling repeatedly between Sydney and his home turf during those frantic few days. But it would be nice to see the full copy of the Department of Finance investigation, as that might put many questions and uncharitable suspicions to rest.

Perhaps one of those quality journalists we hear so much about might care to make some inquiries – if they are not too busy worrying how Gina Rinehart’s interest in Fairfax Media will stop them doing their jobs, that is.

UPDATE: The destination listed as "Brickfield Hl" would be appear to be the Brickfield Hill B&B. A charming home away from home, it boasts of major bedrooms equipped with four-poster beds. How very romantic!

Yawn Of The Dead

IN TERMS of politics, this baby of a year promises to provide the best entertainment since 1975, when readers of a certain age will recall another genius prime minister’s terminal stagger through his government’s litany of shame and scandal. Craig Thomson’s brothel-creeping, Peter Slipper’s nocturnal missions, the curious lassitude of Fair Work Australia’s investigators and, not to be overlooked, prime ministerial staffers prompting race riots – 2012 has got the lot, even before the carbon tax comes into effect and unemployment vaults, as it surely will.

One might imagine that such a chocolate box of delights would have professional journalists salivating at the thought of all the scoops and front-page sensations out there to be had. Straining at the leash, they must be, howling to get on the trail of corruption in high places and defend the public’s right to know. That’s what journalists do, right?

Some journalists perhaps, but apparently not climate change worrywort and Phage environment editor Adam Morton, who has shared with the world via Twitter just how he views the political landscape, and that is with a big, disiniterested yawn:

@adamlmortonAdam Morton
It's not even Feb and Aus politics has jumped a full shiver of sharks.
For those not down with the youth, jumping the shark means something just isn’t worth watching and following anymore, like the final episodes of Happy Days.If Gina Rinehart comes to exert an influence on Fairfax she might wish to make note of Morton’s galloping boredom and do something about it. Cleaning out his desk might keep his mind occupied for a few minutes.

Wednesday, February 1, 2012

A Very Decent Luvvie (Seriously)

THERE IS the waste of course, always that with this lot, and also the shamelessness of directing public monies to artists who must return the favour by pledging their muse to a government program. But unsavoury as it is, Arts Minister Simon Crean’s plan to sling bulk cash at one of his party’s most dutiful constituencies is not the worst thing about the National Broadband Network’s scheme to generate some “visionary” propaganda. Nor is it that we have an Arts Minister who believes the Dark Ages to have been an aesthetic wasteland. In a government where the Treasurer can’t add, the media minister advances censorship and Peter Garrett has something to do with education, it should come as no surprise that the arts minister is a philistine.
 What artists, circa 900AD, were producing before Labor
 
But even that deficiency is not a major issue, not when there is comfort to be drawn from the sure knowledge that this government of rabble and perpetual adolescents will survive no more than another 18 months or so.

The real cause for alarm is Crean’s citing of submissions to the National Cultural Policy discussion paper, which the minister sees as demonstrating “that artists and those in the creative industries understand the significance of the NBN for reaching new audiences and encouraging innovation.” Crean should spend a little less time sounding prime ministerial and a bit more reading his briefing papers.

Now it is true that broadband does figure in quite a few submissions, but they are much of a kind. Originating with groups and organisations already on the teat, they make much of the NBN’s ability to find them larger audiences. That great exemplar of the arts, Gold Coast City Council, has a vision of spreading the online word about “the development of the Gold Coast region”, while Sydney Film School believes $60 billion spent on zippy modems will fill the need for “a great deal of imagination right now in order to envision a peaceful future for our children and our children’s children.” The film school's apparent mission to promote world peace and happy nippers may come as a surprise, but it certainly explains why so many of its graduates' films are unwatchable.

According to Justice Action, NSW, the kiddies can wait their turn. Far more urgent is the need to equip each and every Australian jail cell with computers and high-speed connections. If you have reservations about rewarding miscreants with access for which honest citizens must pay, keep those sentiments to yourself. As its submission notes, “there is also a high prevalence of Aboriginal people in prison”, so any objection would undoubtedly be racist. There is no doubt about grant snafflers. If there is a box to be ticked, they tick it.

And if you are wondering why so many artistic mendicants make glowing mention of the NBN, look no further than the ninth paragraph of the short document outling officialdom's view of what the National Cultural Policy should be all about. It is a very broad hint that submission references to the NBN would be very much appreciated. What Crean means when he says artists “understand” the NBN’s “significance” is that they can read well enough to follow instructions.

On the other hand – and this really stresses the need for Crean to do his homework, there is this from Lisa D. Sampson. It is very sound advice indeed, and here is how it begins: 
As an artist who has self-funded every production (2 musicals and 1 cabaret; hundreds of custom acts for various events) in her arts career (spanning 7 years) through working as a not for profit and social enterprise consultant, I am constantly dismayed by the grant-subsistence mentality prevalent in the arts and creative industries.  In the USA, there is NO funding for film and all investment is private.  Yet, film is a huge industry in the USA and many of its screen products reach a global market.  I’ve never gotten a government grant, nor do I want one.  And I have a major musical work in production, 2 film scripts almost finished, 1 film based on a true story which is going into production where I am the invited script writer and another 3 cabaret shows I’m in the process of writing. 
 And here is how Sampson concludes her plea for an oputbreak of artistic self-respect: 
I want artists to realise that sometimes you need to work your contacts for YEARS, pitching your artistic product to them and that this is a GOOD THING as it actually refines your arts practice, makes you more self-reflexive and responsive to the market. My set of educational entertainment productions is in this very situation and while I’ve felt frustrated and sad and disappointed etc. I am actually pleased that I am developing a way forward that clearly responds to what education departments, curriculum authorities, parents and students actually want out of a product.  When its perfected, I plan to sell it to overseas educational markets and how else will I learn how to negotiate with all the players that will arise in those markets unless I have gone through a similar process here?
Isn’t it refreshing to hear an arts professional urging fellow luvvies to produce work that audiences want to see? No wonder Crean picks and chooses what he reads. He would not want to see Sampson’s letter under any circumstances.

Stall #1 In The Fairfax Stable

SOME THOUGHTS that, careerwise, might have been better unsaid:

Let's hear it for our billionaire mining magnates, the likes of Andrew ''Twiggy'' Forrest, Clive Palmer and Australia's richest woman, Gina Rinehart. Their howls of pain at the prospect of the federal government's new mining tax were wondrous to behold. -- Butch Carlton in The Silly 

The mining magnate Gina Rinehart, down to her last $11 billion… -- Butch again

There's no one to touch a West Australian mining magnate when it comes to whining about paying tax. They never stop. Rinehart (fortune: $10.3 billion) claimed in July that the carbon tax and the mineral resources rent tax would leave bureaucracy the only ''growth industry in Australia'' and, bizarrely, wants any new taxes or tax increases to be approved by referendum.Butch just can’t leave good enough alone

“ ‘… Gina Rinehart’s Hancock Prospecting, thanks to exploration costs, averaged a 10.6 per cent tax rate over a five-year period’ ” -- The AFR’s Neil Chenoweth, admiringly quoted by the AFR’s Laura Tingle, who won a Walkley for this column. A paragraph or two later Tingle puts Rinehart in her place: “…[this] has been the year of the rent-seeker.”


UPDATE: Annoying as he is to all but his personal trainer and groomer, who are paid to put up with him, mitigating the weekly annoyance that is Mike “Butch” Carlton may not be the only reason Gina Rinehart is investing some small change in her bid to become Fairfax’s largest stockholder. Could this recent profile in Good Weekend have been the catalyst that saw her reach for the cheque book? Take a look, imagine it is you being profiled and see if that perspective does not bring quite a few of the article’s deficiencies into a very sharp focus.

Perhaps Rinehart objects to unattributed quotes, especially when they are about her and unvaryingly bitchy. Or maybe, as with the article’s anecdote about her allegedly eye-poking hat, she objects to reporters repeating transparently obvious falsehoods. And then, after her PR person had demolished the charge of culpable headwear, she may not have appreciate reporter Jane Cadzow’s Parthian shot as she rode off to round up another herd of slurs and misrepresentations, including those of an estranged ex-husband.

If it was Cadzow’s profile that spurred Rinehart to action, praise the Great Bunyip that Fairfax published it.